Struve
Designer
Eugene Yukechev
Family
1 family
10 typefaces
10 typefaces
Languages
431 supported
A neogrotesque drawn from the industrial typography of the early 20th century. Where most neogrotesques soften their old-grotesk origins with Helvetica-like neutrality, Struve keeps the dust of locomotive plates and reworks it into a consistent, present-day design.
—Modern and confident. Bold letterforms with a dynamic undercurrent, built for speed.
On Struve.
Bering
Design
Dmitry Pilikov, Eugene Yukechev
Family
3 families
12 typefaces
12 typefaces
Languages
369 supported
A stencil type family traced back to a lifebuoy stencilled in a small Swedish harbour, rediscovered on a German dock and translated into a digital type family. Built from a multi-layered modular grid spanning normal, narrow, and condensed widths, from thin to bold.
—Industrial rhythm of the Nordic coast. Maritime stencils, salt-worn surfaces, the quiet pull of ocean air.
On Bering.
Retros
Designer
Rustam Gabbasov
Family
1 family
1 typeface
1 typeface
Languages
286 supported
A typeface uniting two lettering traditions — the fluid, contrasting strokes of broad-nib brush calligraphy and the sharp, precise lines of chiseled stone carving. Proportions drawn from mid-century Eastern European calligraphy and tombstone inscriptions near Karl Marx's grave in Highgate Cemetery, London.
—Book-quiet and unhurried. An elegant voice that lets the text carry the weight.
On Retros.
All three typefaces are available at Schrift Foundry.